Disney Adventures, February 1996 (x)
SHIRT 36 / 100 - Empty Taco
i made this and couldn’t stop laughing. why would some wear this
Luke and I were looking at Hieronymus Bosch’s painting The Garden of Earthly Delights and discovered, much to our amusement, music written upon the posterior of one of the many tortured denizens of the rightmost panel of the painting which is intended to represent Hell. I decided to transcribe it into modern notation, assuming the second line of the staff is C, as is common for chants of this era.
so yes this is LITERALLY the 600-years-old butt song from hell
The shift to mobile web and the new providers/devices common to that realm has been and will continue to be used as an opportunity to terraform cultural consensus on what the web “is,” away from the considerably less restrictive WWW of the 90s and 00s and towards a model of services largely authored and controlled by corporate wealth. The death of net neutrality and the promise of a web in which providers actively value or devalue data and degrade access accordingly is married perfectly to the notion that a “website” is not code accessible through a browser installed on any machine, but a program that must be purchased or accessed through specific, regulated channels. iOS and Android are test environments in which newly constrained modes for interacting with the Internet (or computers themselves) are naturalized, the hope being that a six year old with an iPad will never fully grasp that things could be or ever had been different.